A B O U T    S U B M I S S I O N S

We invite you to submit your poems to the cherita, a new storybook journal (“the cherita”). Please send us your best work.

Our two Editors, ai li and Larry Kimmel will read and select your work for the journal in alternating months as shown below.

ai li, the creator of the cherita will select and edit work for the June, August, October, December 2017, February 2018, and April 2018 editions.

The deadlines for ai li’s considerations will be 31 May for June, 31 July for August, 30 September for October, 30 November for December 2017, 31 January for February 2018, and 31 March for April 2018 editions.

Larry Kimmel will select and edit work for the July, September, November 2017, January 2018 , March 2018, and May 2018 editions.

The deadlines for Larry Kimmel’s considerations will be 30 June for July, 31 August for September, 31 October for November, 31 December for January 2018, 28 February 2018 for March 2018, and 30 April 2018 for May 2018 editions.

Please only submit to one editor at a time.

 

G U I D E L I N E S

Please submit up to 30 cherita to the editor of your choice for each online edition of the journal in the body of a single email. 

In the subject line enter in all capital letters ‘SUBMISSION – [your full name]’ followed by your full name. Please include your city, state, and country, full name, and email address, in the body of the email and make no attachments, or the editors will not read your work, and your work will be returned.

You may send your submissions at any time and we will publish accepted poems in the next available edition, or at our discretion, in a future edition. You must be at least 18 years old to submit.

Send your submissions to ai li at aili@thecherita.com
Include your city, state, and country, full name, and email address, in the body of the email and make no attachments, or the editors will not read your work, and your work will be returned.

Send your submissions to Larry Kimmel at larrykimmel@thecherita.com
Include your city, state, and country, full name, and email address, in the body of the email and make no attachments, or the editors will not read your work, and your work will be returned.

All poems must be the author’s original work. We prefer previously unpublished poems, whether in print or online. We will consider previously published cherita from print or online journals, Facebook, twitter, blogs, social networking sites, personal websites, etc., only if you include appropriate acknowledgments and credits with these submissions.

We will disqualify all previously unpublished submissions which are under consideration elsewhere, or entered into competitions.

 

 

G E N E R A L   C O N D I T I O N S

Once we notify you that we have accepted your poems or artwork for publication, either in the online journal or print journal, please do not share or submit your work elsewhere until we have published your work, or the editors will withdraw your work from publication. We also ask that you refrain from republishing your work in any medium for 90 days from publication in the cherita: your storybook journal.

the cherita does not pay its contributors nor does it offer contributors’ copies, although they will be available for purchase. Copyright reverts to the author or artist upon publication.

the cherita reserves the right to reprint contents from its publications on its website and in future print anthologies without having to seek further permission from its submitters, and all submissions to the cherita constitutes acceptance of this condition.

the cherita reserves the right to print online or in print journals and anthologies, in whole or in part, in its sole discretion, all letters and comments to the editors without having to seek further permission from the author, and submission of comments or letters to the editors of the cherita constitutes acceptance of this condition.

 

a note from ai li to inspire your cherita writing

• I created the form way back in 1997. It is 20 years old in June this year, and the cherita has grown up in the most delightful and special way. Numerous writers and poets have kept storytelling alive by writing and publishing their stories in the cherita form for the last two decades.

• Storytelling is an age-old tradition as we all know. Our ancestors shared their stories over warming fires in smoke filled caves. Cave drawings were left by early man for us to remember. Many other tales were also passed down as bedtime stories, an oral tradition that still exists today in many parts of the world.

• I would like you to find your inner storyteller.

Send us your story or stories about life : births, deaths, anniversaries, betrayals, disappointments, abortions, bankruptcies, joblessness, vendettas, suicides et al; and also about travel, work, hobbies, light and dark passions, eating disorders, night shifts, cross dressing, the erotic and any other subject matter that I may have missed or forgotten. The list is endless.

 

 

Further notes from Larry Kimmel

How to Treat a Cherita

I’ve recently been asked a number of questions about the cherita. One concerns the use of titles. In a back and forth with ai li, the creator of the form, she had this to say: “…they [titles] defeat the whole point of the cherita which is to lead you into a story or tale. A title tells you upfront what the rest of the 6 lines is all about. What would the point of writing a cherita be then?” In short, no titles, just as in tanka.

The other concerns how to refer to the cherita in its singular or its plural form. It is always ‘cherita,’ whether singular or plural. An easy way to remember is to treat it as you would ‘haiku’ or ‘tanka.’

On my website, I treat some of the aspects of the cherita, toward the end of an essay titled: “Flexible Forms: a personal speculation,” to be found on the link below :

http://www.winfredpress.com/the-cherita-form/

I hope this helps further the understanding of how to treat a cherita.

 

 

copyright © the cherita : your storybook journal 2017